Storyspace In China by Maris Boyd GilletteĪn anthropological team from Harvard uses Storyspace in the field, to study the customs of the Han Chinese. Storyspace on the Big Screen by Adrian MilesĪn Australian educator discusses the role of Storyspace in film criticism. Because Storyspace is easy to use, and because it helps writers to visualize and manipulate their work, Storyspace is also popular in writing courses and workshops throughout the world. Storyspace is best known as the tool of choice for serious hypertext writers. Because writers can add, link, and reorganize by moving writing spaces on the map, Storyspace encourages creative exploration and flexibility. The unique and powerful Storyspace map shows each hypertext writing space and each of its links. Storyspace excels at creating rich hypertext structures. Additional reading environments for the Web and for Windows are anticipated as well. A redistributable stand-alone reader is included. Storyspace creates hypertexts that you are free to publish and redistribute. Storyspace 3 is available for Macintosh computers and runs on macOS Catalina, High Sierra, and other recent operating systems. Storyspace focuses on the process of writing, making it easy and pleasant to link, revise, and reorganize. Storyspace 3 is a hypertext writing environment that is especially well suited to large, complex, and challenging hypertexts. Sculptural hypertext encourages painterly narrative in which the writer controls what she knows to be necessary while relaxing control over the reader when control might not be needed. But Storyspace hypertexts aren’t just random: writers can remove links and enforce constraints so the hypertext organizes itself. Sculptural hypertext begins with densely linked bundles like decks of cards, from which the reader might select pages in any sequence. Storyspace 3 adds sculptural hypertext tools as well. Sculptural Hypertextįamiliar hypertext tools support calligraphic hypertext, hypertext that begins without links and lets the writer link things that should be connected. You can mix old and new guard fields freely. Storyspace 3 supports classic Storyspace guard fields and extends them with a new, easy-to-learn syntax that adds lots of power and flexibility. Storyspace solved the problem back in the 1990s with guard fields that activate and disable links as the reader moves through the document. What works in small web sites leaves readers wandering and adrift in book-length environments. Long the tool of choice for serious hypertext writers, Storyspace now offers new features, new tools, and unmatched elegance for handling complex stories with ease.įrom the earliest experimental hypertexts, writers have learned that simply linking pages together isn’t enough. Storyspace 3 is a tool for writing and reading hypertext narrative, for fictional and nonfictional stories told with links. Storyspace is designed for writing and reading interlinked narrative many writers will move freely between Tinderbox and Storyspace. Tinderbox is designed for making, visualizing, and analyzing notes, making it ideal for the early stages of ambitious projects. Storyspace 3 works seamlessly with Tinderbox, with which it shares files. Legacy Storyspace work immediately takes advantage of Storyspace 3’s outstanding new typography. Storyspace 3 works with existing Storyspace files and creates new Storyspace documents in a robust, state-of-the-art XML format. Now, Storyspace has been updated, extended, and reconceived using fresh technology and design. utterly essential to an understanding of this new art form” – Robert Coover, NY Times Book Review) and Shelley Jackson’s Patchwork Girl (“A cult hit” – The Village Voice). Twenty years ago, the original Storyspace ushered in the era of serious interactive writing with works like Michael Joyce’s afternoon, a story ( “a graceful and provocative work. Storyspace is a tool for complex, interlinked narrative, both fiction and nonfiction. It was soon after that in 2004 that I began writing what I knew would be a series of stories about Mr. Chunky died on 18 September 2003 in the most tender and expert care of The Queen Mother Hospital for Animals in Hertfordshire. Chunky was actively watching over us – particularly when he chose to spend his first night in our home strategically positioned on the upstairs landing, rather than in his brand new comfy-cosy cat basket downstairs! Little did I know that years later I would have the privilege of attending an animal communication course run by James French of, during which I would discover at first hand that our animal friends know exactly the particular purpose they serve in being with their human ‘owners’. Much to my surprise it soon became evident that Mr. Chunky himself, who came to us as a rescue cat through Cats Protection in 1997 which was a time of crisis for our family.
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